Ravello Festival 2012 - Geza and The Bohemian Virtuosi
Geza & The Bohemian Virtuosi
Violinist and director: Geza Hosszu-Legocky
Special Guest: Martha Argerich
Geza & The Bohemian Virtuosi
Franz Liszt (1811 - 1886)
Allegro Moderato from Concert n. 2 for piano and orchestra in A Major S. 125
Arrangement by Géza Hosszu-Legocky for violin, piano and strings
Consolation n.1 in Mi Maggiore, S. 172
Andante con moto
Arrangement by Géza Hosszu-Legocky for violin, piano and strings
Hungarian Rhapsody n. 2 in C Sharp Minor, S. 244
Arrangiement by Kyle Nash-Baker for violin, piano and strings.
Camille Saint-Saëns (1835 - 1921)
Havanaise in E Major, op. 83 for violin and orchestra
Pëtr Il’ič Čajkovskij (1840 - 1893)
Méditation, da “Souvenir d’un lieu cher”, op. 42
Andante molto cantabile
Fritz Kreisler (1875 - 1962)
Preludio e Allegro ( in Pugnani's style)
Max Bruch (1838 - 1920)
Finale: Allegro energico from the Concert n. 1 for violin and orchestra in G Minor, op. 26
Cecil Burleigh (1885 - 1980)
Moto Perpetuo for violin and piano, op. 21 n. 4
arrangement by Laszlo Balogh
Geza & Martha:
Ludwig van Beethoven (1770 - 1827)
Sonata n. 8 in G Major for violin and piano, op. 30 n. 3
Allegro assai
Tempo di Minuetto
Allegro vivace
Claude Debussy (1862 - 1918)
Sonata n.3 in G Minor for violin and piano
Allegro vivo
Intermède - Fantasque et léger
Finale - Très animé
Fritz Kreisler
La Gitana
Liebesfreud
Schön Rosmarin
Geza with Martha & The Bohemian Virtuosi
Henryk Wieniawski (1835 – 1880)
Polonaise Brillante n. 1 in D Major, op.4 for violin and piano
arrangements by Ferenc Lakatos
Geza with Martha and Rudolf Czene (four handed) & The Bohemian Virtuosi
Johannes Brahms (1833 - 1897)
Hungarian Dance n. 1, in G Minor
Allegro molto
Hungarian Dance n.5, in G Minor
Allegro
arrangements by Georges Cziffra
Geza and The Bohemian Virtuosi video
Since May 2011 Geza has invested a great deal of effort towards
creating an exceptional orchestra of young talented soloists in his
hometown, Budapest. Barely a month later, the "Bohemian Virtuosi" are
performing on the stage of Lugano's festival, achieving immediate
success. The idea of creating a foundation then insued, with the goal
being to help the young talents of Eastern Europe, confronted to
financial difficulty, to express themselves within the ensemble.
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